A jubilant explosion of overlapping translucent shapes erupts across a pure white background, forming an energetic, asymmetrical cluster that radiates outward in every direction. The forms are bold, sinous and biting—sharp angles, sweeping arcs, and pointed tendrils—in a rich, saturated rainbow palette: vivid blues, emerald greens, lime yellows, fiery reds, deep magentas, soft pinks, teal, and purple, with semi-transparent layers creating luminous overlaps and glowing intersections where colors intensify or blend into new hues.
Cobalt blades slash across viridian wings, crimson crescents bleed into magenta flames, while lime arrows and turquoise spears pierce the air in jubilant rebellion. Every fragment—sharp as joy, fluid as laughter—overlaps its neighbor in fevered communion, birthing new iridescences where edges meet: sudden flashes of gold, whispers of violet, bursts of coral that exist only in the breathless instant of collision.
Thin, delicate lines extend from the core like stems or rays, adding a sense of propulsion and lightness, as if the entire composition is caught in mid-burst—confetti unleashed, petals torn by wind, or shards of stained glass suspended in joyful chaos. The whole glorious tumult hovers, weightless, against an infinite white void—an explosion forever suspended at the peak of its delight.
The overall effect is one of exuberant movement and celebration: a frozen moment of pure, un containted energy, where color and form collide in harmonious disorder. It evokes feelings of vitality, freedom, and the sheer delight of creation unleashed. This is no mere arrangement, but a living shout of pure becoming a wild hymn to color unbound, where form surrenders to frenzy and every shard sings of freedom found in glorious, radiant disorder.
It was designed using algorithmic procedures that make decisions using random numbers. The title "Tychist Object" refers to a work embracing tychism, a philosophical concept coined by Charles Sanders Peirce. Tychism (from the Greek tychē, meaning "chance" or "luck") posits that genuine absolute chance plays a real, objective role in the universe, rather than everything being strictly determined.
Unique painting. Acrylic on board. Unframed dimensions: 17-1/2” high x 24” wide. Framed dimensions: 19-3/4” high x 26 5/16” wide x 1-7/16” deep. White painted modern style wood frame permanently attached. Signed by the artist on the front, dated 2017.
A jubilant explosion of overlapping translucent shapes erupts across a pure white background, forming an energetic, asymmetrical cluster that radiates outward in every direction. The forms are bold, sinous and biting—sharp angles, sweeping arcs, and pointed tendrils—in a rich, saturated rainbow palette: vivid blues, emerald greens, lime yellows, fiery reds, deep magentas, soft pinks, teal, and purple, with semi-transparent layers creating luminous overlaps and glowing intersections where colors intensify or blend into new hues.
Cobalt blades slash across viridian wings, crimson crescents bleed into magenta flames, while lime arrows and turquoise spears pierce the air in jubilant rebellion. Every fragment—sharp as joy, fluid as laughter—overlaps its neighbor in fevered communion, birthing new iridescences where edges meet: sudden flashes of gold, whispers of violet, bursts of coral that exist only in the breathless instant of collision.
Thin, delicate lines extend from the core like stems or rays, adding a sense of propulsion and lightness, as if the entire composition is caught in mid-burst—confetti unleashed, petals torn by wind, or shards of stained glass suspended in joyful chaos. The whole glorious tumult hovers, weightless, against an infinite white void—an explosion forever suspended at the peak of its delight.
The overall effect is one of exuberant movement and celebration: a frozen moment of pure, un containted energy, where color and form collide in harmonious disorder. It evokes feelings of vitality, freedom, and the sheer delight of creation unleashed. This is no mere arrangement, but a living shout of pure becoming a wild hymn to color unbound, where form surrenders to frenzy and every shard sings of freedom found in glorious, radiant disorder.
It was designed using algorithmic procedures that make decisions using random numbers. The title "Tychist Object" refers to a work embracing tychism, a philosophical concept coined by Charles Sanders Peirce. Tychism (from the Greek tychē, meaning "chance" or "luck") posits that genuine absolute chance plays a real, objective role in the universe, rather than everything being strictly determined.
Unique painting. Acrylic on board. Unframed dimensions: 17-1/2” high x 24” wide. Framed dimensions: 19-3/4” high x 26 5/16” wide x 1-7/16” deep. White painted modern style wood frame permanently attached. Signed by the artist on the front, dated 2017.
