In the hush of an untouched dawn, a fragile constellation of light awakens—whispers of color suspended in breathless suspension.
A soft, cloud-like explosion of overlapping translucent shapes floats against a pristine white background. The forms are gentle, organic fragments—rounded petals, irregular ovals, and sinuous tear drops—in the palest washes of color: faint lemon yellows, blush pinks, mint greens, lavender, and subtle peach tones. Each layer is semi-transparent, allowing colors to bleed and blend where they intersect, creating a dreamy, diffused glow that feels almost weightless.
The composition suggests a quiet, outward drift or gentle dispersion, like pollen caught in a soft breeze, cherry blossoms dissolving into mist, or the faint memory of a spring bouquet. There is no stem to anchor this vision, no earth to claim it; only a gentle, billowing ascent, as though a thousand forsythia blossoms have exhaled their souls at once, scattering into the infinite white beyond.
The overall effect is one of hushed luminosity and fragile beauty: a whisper of color suspended in infinite calm, evoking feelings of tranquility, impermanence, and the quiet joy of something fleeting yet profoundly alive. It is the ghost of a flower, the echo of pollen on wind, a fleeting congregation of light and color caught in eternal pause.
It was designed using algorithmic procedures that make decisions using random numbers. The title "Tychist Object" refers to a work embracing tychism, a philosophical concept coined by Charles Sanders Peirce. Tychism (from the Greek tychē, meaning "chance" or "luck") posits that genuine absolute chance plays a real, objective role in the universe, rather than everything being strictly determined.
Unique painting. Acrylic on board. Unframed dimensions: 18-1/2” high x 18” wide. Signed by the artist on the front, dated 2020.
In the hush of an untouched dawn, a fragile constellation of light awakens—whispers of color suspended in breathless suspension.
A soft, cloud-like explosion of overlapping translucent shapes floats against a pristine white background. The forms are gentle, organic fragments—rounded petals, irregular ovals, and sinuous tear drops—in the palest washes of color: faint lemon yellows, blush pinks, mint greens, lavender, and subtle peach tones. Each layer is semi-transparent, allowing colors to bleed and blend where they intersect, creating a dreamy, diffused glow that feels almost weightless.
The composition suggests a quiet, outward drift or gentle dispersion, like pollen caught in a soft breeze, cherry blossoms dissolving into mist, or the faint memory of a spring bouquet. There is no stem to anchor this vision, no earth to claim it; only a gentle, billowing ascent, as though a thousand forsythia blossoms have exhaled their souls at once, scattering into the infinite white beyond.
The overall effect is one of hushed luminosity and fragile beauty: a whisper of color suspended in infinite calm, evoking feelings of tranquility, impermanence, and the quiet joy of something fleeting yet profoundly alive. It is the ghost of a flower, the echo of pollen on wind, a fleeting congregation of light and color caught in eternal pause.
It was designed using algorithmic procedures that make decisions using random numbers. The title "Tychist Object" refers to a work embracing tychism, a philosophical concept coined by Charles Sanders Peirce. Tychism (from the Greek tychē, meaning "chance" or "luck") posits that genuine absolute chance plays a real, objective role in the universe, rather than everything being strictly determined.
Unique painting. Acrylic on board. Unframed dimensions: 18-1/2” high x 18” wide. Signed by the artist on the front, dated 2020.
