Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
A female torso rises in luminous cyan-green wireframe, transformed into a dense field of triangular facets that ripple across every surface like emergent skin. The form is a classic idealized nude—off-shoulder neckline, full breasts with concentric radial patterning at the nipples, tapered waist flaring into hips and thighs—yet entirely deconstructed into thousands of small, repeating pyramidal spikes or geodesic bumps.
These facets catch virtual light in subtle gradients: deeper teal in recesses, brighter mint-cyan on raised edges, creating the illusion of breathing texture and subtle topographic depth. No smooth skin or classical marble; instead, the body is a continuous, self-similar mesh—organic curves built from relentless geometric repetition, evoking both ancient sculpture and modern computational emergence.
The composition is frontal and monumental, isolated against pure white void: the figure stands slightly turned, right shoulder forward, emphasizing S-curve flow while the faceted surface fractures that classical rhythm into crystalline vibration.
Notice how concentric ripples at the breast pull the eye inward to focal points of intimacy and symmetry, then scatter across the body along undulating triangular waves—creating rhythmic tension between sensual wholeness and fragmented abstraction, human form and algorithmic nature.
Extending the Force of Nature series into digital space, this rendered mesh reimagines Aphrodite not as marble goddess but as emergent computational force: feminine archetype reborn through parametric repetition, intensely physical yet purely virtual, alive with the poetry of geometry becoming flesh.
How does this spiked, glowing green torso—classical yet radically deconstructed—stir your sense of primal beauty, digital emergence, or the poetry of the body as infinite, repeating patter
Technical notes.
Inkjet print on paper. 12” H x 8” W. Signed by the artist on the back. Open edition. Frame not included.
A female torso rises in luminous cyan-green wireframe, transformed into a dense field of triangular facets that ripple across every surface like emergent skin. The form is a classic idealized nude—off-shoulder neckline, full breasts with concentric radial patterning at the nipples, tapered waist flaring into hips and thighs—yet entirely deconstructed into thousands of small, repeating pyramidal spikes or geodesic bumps.
These facets catch virtual light in subtle gradients: deeper teal in recesses, brighter mint-cyan on raised edges, creating the illusion of breathing texture and subtle topographic depth. No smooth skin or classical marble; instead, the body is a continuous, self-similar mesh—organic curves built from relentless geometric repetition, evoking both ancient sculpture and modern computational emergence.
The composition is frontal and monumental, isolated against pure white void: the figure stands slightly turned, right shoulder forward, emphasizing S-curve flow while the faceted surface fractures that classical rhythm into crystalline vibration.
Notice how concentric ripples at the breast pull the eye inward to focal points of intimacy and symmetry, then scatter across the body along undulating triangular waves—creating rhythmic tension between sensual wholeness and fragmented abstraction, human form and algorithmic nature.
Extending the Force of Nature series into digital space, this rendered mesh reimagines Aphrodite not as marble goddess but as emergent computational force: feminine archetype reborn through parametric repetition, intensely physical yet purely virtual, alive with the poetry of geometry becoming flesh.
How does this spiked, glowing green torso—classical yet radically deconstructed—stir your sense of primal beauty, digital emergence, or the poetry of the body as infinite, repeating patter
Technical notes.
Inkjet print on paper. 12” H x 8” W. Signed by the artist on the back. Open edition. Frame not included.
